1. Visible Forces
Beauty can easily be found in natural landscapes. Forces are made visible in the shaping of the terrain: tectonic upheavals, volcanic flows, unloading and exfoliating glaciers, thermal expansion and contraction, erosion by wind, waves, rivers, and rain, fire and ice cracking fissures, gravity pulling down hills in landslides or toppling rocks off cliffs. When we are on the edge of these spaces or deep within them, we often stop and stare, trying to make sense of what we are seeing. Such wonder! These movements shape landscapes over time and tell a story about how they came to be. This is something we try to emulate in our work—allowing the forms within our projects to be enriched by the process of making.
There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations.Mark Twain
2. Material Honesty
Play and exploration are axial to innovation. It’s in this creative environment where we make discoveries—about how materials behave, where they can be pushed to new limits, how they talk to each other, how they settle into form. We find richness in the relationships between places, forms, and materials. CMG embraces a simple and straightforward approach to the use of materials and detailing that reveals the way things are made. Whether expressed within overall projects—where materiality of the site and design intention intersect directly, or within singular moments—where the materiality of objects and making intersect in clear sculptural responses, it’s this basic, elemental design that excites us.
3. Time + Accrual
We are compelled to create places where flows and rhythms of use accrue with the passage of time—places that allow adaptability and change, flux and negotiation. It’s in these moments of both social and natural interactions that wear, and weathering occurs. The spaces and objects we make encourage people to sit, touch, walk, run, play, dance—to be in and with. They are also exposed to the elements. For this reason, we look for and work with materials that get better with age – that collect energy, are softened by use, that reveal time in an intentional way.
If I were solid and strong, would I even have heard the rhythm?Clarice Lispector
4. Beauty + The Particulars
Encounters with beauty shake us awake and connect us with something greater, something outside of ourselves. It induces awe, makes us: stare, reach, replicate. And it’s inclusive in how it captures all of us with its spell. Within our work, it inspires us to innovate—and to be intentional in making room for beauty to exist.
Beauty takes place in the particular, and if there are no particulars, the chances of seeing it go down…At the moment one comes into the presence of something beautiful, it greets you. It lifts away from the neutral background as though coming forward to welcome you – as though the object were designed to ‘fit’ your perception.Elaine Scarry